“He built it to save lives. Now it takes them.”

In the seaside town of Gorehaven, the ocean doesn’t wash things away — it drags them in.

Shrouded in perpetual fog and rot, this once-bustling biotech hub is now a rusting carcass of itself — all collapsed labs, decaying boardwalks, and alleys that echo long after footsteps fade. But something moves in those shadows. Locals whisper of “the Mouse” — a mangled silhouette seen only after midnight, with needle-thin claws, serrated teeth, and eyes that gleam like oil on water. It doesn’t squeak. It clicks.

🐁 Years ago, Dr. Rupert Mallory was hailed as a pioneer in regenerative biofusion — splicing animal tissue with human DNA to cure terminal illnesses. When his research crossed ethical lines, the government shut him down. Then he vanished. No body. No lab. Just a hushed rumor: “He kept working.”

Now, bodies are turning up. Or what’s left of them. Clean surgical extractions. Missing organs. Scraps of human skin fused with animal fur. Something is harvesting, and it’s not done.

🚔 Enter Detective Bram Knox (Dwayne “The Rock” Johnson), a battle-hardened ex-military cop with a buried past tied to Mallory’s original trial. Tasked with investigating the killings, Knox is teamed up with Ray Locke (Jason Statham), a grizzled and sardonic coastguard who knows Gorehaven better than he likes. Together, they descend into a world of clandestine experiments, drowned secrets, and biotech corporations that still fund what they claim is long dead.

🧪 What they uncover beneath Gorehaven’s coastal cliffs and rotting piers is worse than any urban legend. The “Mouse” is not one creature, but an adaptive hybrid, engineered from the remains of lab-grown organs and predator DNA — programmed to self-upgrade, self-select, and harvest exactly what it needs from the human body. Originally built to revolutionize healing, it’s now a walking, climbing, flesh-slicing Frankenstein — perfected by error, driven by instinct, and controlled by no one.

And worse: it’s learning.

With a kill list encoded in its neural map and a hunger for human compatibility, the creature is custom-selecting its victims — not randomly, but genetically. Bram and Ray must race through flooded tunnels, abandoned lab archives, and forgotten biochambers as the Mouse begins its final phase: constructing the ultimate body… from pieces of its makers.

🎬 Mouse of Horrors is a savage, cerebral creature feature with the genetic paranoia of Splice, the urban decay of Se7en, and the biotech body horror of The Fly. Visceral, suspenseful, and dripping with dread, it’s a story of man’s quest to cheat death, and the monstrous truth that evolution doesn’t ask for permission — it just comes.